The Organ

The organ at Pine Street Presbyterian Church was originally designed and installed in 1926 by the Skinner Organ Company of Boston, Massachusetts as a part of the rebuilding of the church under the direction of architect Ralph Adams Cram of Boston. It was originally scheduled for installation in an area above the choir loft, but for unknown reasons, the location was changed to two shallow chambers on either side of the loft, providing a much better location in all respects. At the time, Skinner was the premier organ builder in the United States.

This instrument served virtually unchanged until 1963 when it was rebuilt and enlarged by the M.P. Möller Company of Hagerstown, Maryland. During this rebuild the best of the Skinner pipework and virtually all of the original chestwork were saved, renewed and reinstalled in what was a mostly new instrument. Of particular importance was the retention of the Solo Organ with its magnificent State Trumpet and colorful solo strings and French Horn. The Principal, Mixtures and much of the flue work were new, as were the (Sw)ell Reeds, which are a wonderful example of the work of Adolph Zajick, Möller's legendary chief reed voicer.

In the late 1980's the organ again needed repairs and again the Möller Company, this time under the direction of Tonal Director Daniel Angerstein, was called upon to restore, upgrade and enlarge the organ. From this rebuild came the installation of the Nave Organ which speaks from the two grilles surrounding the Choir Loft window and the dazzling Trompette-en-Chamade on the West wall of the church. This work was carefully guided by then organist, Donald L. Clapper whose diligence paid off in what is surely one of the finest instruments in Central Pennsylvania and one of the best installations of the Möller Company. The new organ was dedicated in 1991. This work was made possible by the Million for Ministry campaign which also provided significant changes to the building including the new Gathering Place directly behind the Chancel, and the Chapel area in the South transept.

In 2000, the 32 foot stops, retained from the 1963 rebuild, were in need of replacement. This was accomplished by the Walker Technical firm of Zionsville, Pennsylvania with state of the art digitally sampled voices which give the needed underpinning to the organ in this large space. This final work on the instrument was made possible by a generous gift from the estate of Albert Herbert.

List of Organ Stops

GREAT CHOIR
16' Quinataton 8' English Open Diapason
8' Diapason 8' Stopped Flute
8' Rohrflute 8' Unda Maris II
8' Quintaton ((from 16') 4' Principal
8' Erzahler 4' Nachthorn
4' Prestant 2' Fifteenth
4' Spitzflote 1 1/3' Larigot
2' Waldflote 1' Blockflote
II Sesquialtera IV Mixture (1')
III Foruniture (1 1/3') 8' Clarinet
8' Trompette-en-Chamage (Solo)   Tremulant
  Carillon   Harp
  Zimbelstern   Celesta
       
NAVE SOLO
8' Principal 8' Flauto Mirabilis
4' Octave 8' Gamba
2' Super Octave 8' Gamba Celeste
IV Mixture (1 1/3') 8' English Horn
16' Double Trumpet 8' French Horn
8' Trumpet 8' State Trumpet
4' Klarine   Tremulant
       
ECHO    
8' Cor de Nuit    
8' Vox Angelica II    
8' Vox Humana    
  Tremulant    
  Chimes    
  Carillon    
  Harp    
       
SWELL PEDAL
16' Lieblich Gedeckt 3' Contra Diapason (electronic)
16' Contra Gemshorn 32' Contra Bourdon (electronic)
8' Viola Pomposa 16' Diapason
8' Viola Celeste 16' Violon (electronic)
8' Gedeckt (extension of 16') 16' Bourdon
8' Voix Celeste II 16' Quintaton (Gt.)
8' Gemshorn (extension of 16') 16' Lieblich Gedeckt (Sw)
8' Stopped Diapason 16' Contra Gemshorn (Sw)
8' Flauto Dolce Celeste II 10 2/3' Quint
4' Octave Geigen 10 2/3' Gemshorn (Sw)
4' Koppelflote 8' Principal
2 2/3' Nazard 8' Diapason (from 16')
2' Zauberflote 8' Bourdon (from 16')
1 1/3' Tierce 8' Gedeckt (Sw)
V Plein Jeu (2') 8' Gemshorn (Sw)
IV Scharff 4' Principal
16' Bassoon 4' Bourdon ((from 16')
8' Trompette 4' Quintaton (Gt.)
8' Oboe IV Mixture (2 2/3')
8' Vox Humana V Grand Cornet (32')
4' Clarion 32' Contre Bombarde (electronic)
  Tremulant 16' Bombarde
    16' Double Trumpet (Nave)
    8' Bombarde (from 16')
    8' Trumpet (Nave)
    4' Bombarde Clarion (from 16')
All standard couplers
Great and Nave function as a single division although it is possible to separate them and play them against one another.
 
E.M. Skinner, 1926

Return to top